HOW EVENTIDE H910 WORKS UPGRADE
After purchasing a Hewlett-Packard computer for researching reverb algorithms and needing to upgrade the memory in order for the computer to handle the necessary complex computations, Eventide designers realized that they could manufacture computer memory expansion far more affordably than the current market price.
HOW EVENTIDE H910 WORKS PRO
Įventide's original product line consisted of two products: the Instant Phaser (the result of an Audio Engineering Society Show appearance and Eventide's first answer to tape-based flanging), and what would become the 1745 Digital Delay Line (the result of a significant order from Maryland Public Broadcasting and the world's first digital pro audio device).īeginning with the 1745M, Eventide began widely using Random-access memory (RAM) chips in many of their products. Other early products included a two-second delay for telephone research and an electrostatic deflector for dispensing nanoliter quantities of chemical reagents. When Katz needed to rewind the analog tape back to a specific point on their Ampex MM1000 multitrack recorder, but limited space in the studio did not allow for a tape op (a person who would operate the tape recorder on behalf of the sound engineer), Katz asked Factor to build a gadget that would do the job, and the resulting device turned into an Original equipment manufacturer (OEM) success for Ampex. The business was founded in the basement of the Sound Exchange, a recording studio located at 265 West 54th Street in New York City and owned by Greene. Musicians began using it to manipulate sound in a whole new way.Eventide was founded by recording engineer Stephen Katz, inventor Richard Factor, and businessman/patent attorney Orville Greene. Although it was originally intended for vocalists to create their own harmonies while performing, the H910 was capable of so much more. Channel 5 used the H910 Harmonizer to shift the vocals back down to their original pitch, which allowed them to run the additional ads without driving viewers away.įor the first time, audio engineers were able to alter the pitch of a sound without affecting the duration - or vice versa. Of course, this also raised the pitch of the audio, which made everyone's voice sound obnoxious and screechy.
Although it was originally designed for studio use, the very first person to purchase the H910 was New York City’s Channel 5.Īt the time, Channel 5 was speeding up reruns of I Love Lucy so they could run more ads. Designed by engineer Tony Agnello as a tool for pitch shifting, delay and feedback regeneration, it originally sold for $1,600, which is about $7,500 by today’s standards.
In 1975, Eventide released the world’s first commercially available digital pitch-shifting unit, the H910 Harmonizer. Continue on to learn more about the history of the Eventide Harmonizer and the hot new features included on the H9000. Artists used digital effects to achieve futuristic, otherworldly sounds - many of which were created with the Eventide H910 Harmonizer.Įventide has continued to build on the Harmonizer in the years since and with the H9000 now available for pre-order, we wanted to take a more in-depth look at what this piece of gear has done for the music world. It blended the explosive, edgy sound of punk rock with the computerized sounds of electronic drum machines and synthesizers. In the early 1980s, New Wave music was all the rage.
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